I work with sterling silver and brass, often adding 23K gold through the centuries-old technique of Keum-Boo. Sometimes I set unique stones for one-of-a-kind pieces, but whether simple or intricate, each design begins with the same dedication to craft. My tools are traditional—hammers, anvils, rolling mills—and my methods are intentional, with minimal chemicals, recycled metals, and ethically sourced stones.

Nature is my guide. The botanicals and landscapes that surround me in Vermont’s Northeast Kingdom appear in delicate patterns, layered shapes, and quiet details. My hope is that each piece feels grounded, human, and timeless—a reflection of the enduring art of adornment.